12/3/2023 0 Comments Usb audio isolatorIt really makes for a much more rewarding and pleasant experience when it comes to programming. So you might be thinking where are the real differences? Well, aside from the much more directly accessible user interface. Three effects slots allow you to drop in a decent combo of modulations, delays and reverbs. The two LFOs can be synced and have fade-in and retrigger options. Speaking of the mod-matrix, it’s a 16-slot affair. Three envelopes include one for each of the filter and amp plus a third envelope with no routing that can be used within the mod-matrix. It retains the dual filter design with an OTA-based multimode filter with phase inverting and an SSI-based low pass filter with 2 & 4 pole slopes. Whilst the USPX can be powered via the USB-C port, its dedicated PSU input is music to my ears.Īs with the original UNO Synth Pro, the USPX has three wave shaping oscillators with ring and FM modulation. The USB is now of the sturdy USB-C type and the power socket is for a dedicated brick-style PSU. And those last two are a cause for much celebration. On the rear we have, as before, full-size MIDI IN and OUT, stereo 6.4mm TRS outs, audio in and headphone sockets, 2 pairs of CV/Gate, USB and power. It retains the small OLED display with a fair bit of dual functionality on a lot of the controls, but this is very easily accessed. This is very welcome indeed because everything is that much more immediate now. In its place are 23 rotaries and 66 buttons. Gone too is the matrix system of parameter control. However, the desktop unit doesn’t even have a touch-sensitive keyboard, Rather, it has a one octave set of buttons designed for note entry, not necessarily performance. I am told there are no plans for a keyboard version. The UNO Synth Pro X is only available as a desktop unit. And if I may be so bold, they might just have finally got this synthesizer right. Now, two years later, we have the UNO Synth Pro X. To their credit, they added two micro USB ports, one for data and one for power so with the right USB power adapter (not provided) you could get around the noise. The inclusion of a Fatar keybed pushed the cost up somewhat, and the desktop version still relied on USB power and therefore, ground loop noise could still be an issue. Once again, soundmachines were responsible for the internals and the UNO Synth Pro did sound very nice indeed. The matrix system remained, expanded from before. The desktop version retained the touch-sensitive keyboard but delivered a lot more buttons for direct access to settings. Headline changes included a keyboard version, an extra oscillator with paraphonic capabilities now possible, and a new, dual-mode filter. However, they didn’t quite address all of it. It seemed they had listened to a lot of the feedback. After a dalliance with the UNO Drum in the same form factor, the UNO Synth received a Pro upgrade in 2021. Uno, Due…Īll that said, it represented decent value for money. This could be filtered out by using a ground loop isolator but it was far from ideal. Thirdly, when powered over USB it was more than a little prone to ground loop noise. Secondly, the built-in sequencer was very limited at just 16 steps. Firstly, not everyone was happy with the capacitive touch surface. With wave shaping oscillators and a fairly decent filter, it was possible to get some decent sounds out of it. It sounds fiddly, but it worked pretty well. The selectors sometimes had dual functions, accessed by a long press. It used a matrix-style system with selector ‘buttons’ on the left and rotary knobs on top. The UNO Synth employed a minimalist interface.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |